When I was a child, I used to love sitting in the front row of a movie theater so that I could completely fill my vision with the screen. I wanted to be fully immersed into the film. I wanted to feel like I was living in that fantasy world. I loved that sense of immersion.
As I grew older, I moved back towards the center isles to save my aching neck but that enthusiasm for escapism remained. I’ve always embraced opportunities for greater immersion, like the current 3D trend. Now a new indie film, written and directed by IIya Naishuller, could possibly provide the best immersion yet. If it doesn’t make you throw up from motion sickness first.
Hardcore Henry is a movie shown entirely from the first-person perspective of its protagonist, Henry. He has been resurrected by his wife Estelle with a mechanically enhanced body. She is soon kidnapped by the film’s villain, Akan, who wants to exploit Estelle’s technology for designing weapons. Henry escapes Akan’s thugs, and is conveniently befriended by an ally who trains Henry in how to fight with his new robotic body. This sets the stage for an action packed second half where Henry goes on a rescue mission to save Estelle.
It’s a novel idea with great potential, but also predictable flaws.
Immediately there’s the issue of feeling bored. As if you’re watching someone else play a video game. There’s no denying the influence that first-person shooters had on this film. While this is a cool idea, it still looks like a video game trailer. Anyone who has ever died of boredom while waiting their turn might understand the potential frustration.
Then there’s the shaky cam sensation, which can induce feelings of nausea and motion sickness. This limits the film’s potential. While I’ll give the film props for being aware of this and keeping its runtime short, 90 minutes could still be a long time for some. Perhaps theaters should supply vomit buckets along with their tickets to this movie.
Yet, what if Hardcore Henry pulls it off? Could this film give you a video game experience? Could you directly experience the feelings of heroism? Could you feel the rush of the action, the adrenaline of lobbing a grenade, or the satisfaction of punching someone across a room?
On the big screen, the second half of this trailer really impressed me with its sense of danger and awe inspiring stunts. Could all that motion sickness be worth it?
Film festival attendees have already found out and given Hardcore Henry their praise.Multiple production companies held a bidding war for this film, including Universal and Lionsgate. STX Entertainment won out. That’s a good sign of promise. Maybe, just maybe, this movie is crazy enough to work! We’ll find out April 8th as Hardcore Henry hits theaters nationwide.
Thursday, February 25, 2016
Sunday, January 31, 2016
Oscar Clip: A Commentary of the Film "Spotlight"
Breaking News!
Batman teams up with the Hulk, Sabretooth, and Irene Adler to bring down a cover-up of child abuse by Roman Catholic priests.
Well, sort of …
Spotlight, a Drama directed and co-written by Tom McCarthy, stars Michael Keaton, Mark Ruffalo, Liev Schreiber, and Rachel McAdams as The Boston Globe’s investigative unit known as “Spotlight”. The team is motivated by their new editor Marty Baron (Liev Schreiber) to investigate claims that the Archbishop of Boston knew about a local pedophile priest abusing children and did nothing to stop it. As the team investigates, they unravel a grander cover-up that is massive and world-wide. The series of exposé articles they would publish shocked the world and won the team a 2003 Pulitzer Prize for public service.
The movie of their journalistic efforts is rightfully award winning as well. Spotlight is a tactfully done drama with a great ensemble of actors. The film focusses solely on the discussions of the journalists , preferring to allude to the acts of the priests instead of actually showing it. My only critique of the film is how boring it feels. Two hours of office discussions and investigative montages get a little tiresome, despite how well the actors milk emotion out of every scene. The drama and tension can feel forced at times. It’s as if the actors are doing their best to distract you from how boring the movie is, forcing Oscar style performances out of the most mundane of tasks. I believe Mark Ruffalo should be awarded an Oscar for “Most Dramatic Hailing of a Cab”.
Critique aside, Spotlight delivers an emotional tale of what courageous journalism looks like, and the personal sacrifices it takes to get your news to print.
Batman teams up with the Hulk, Sabretooth, and Irene Adler to bring down a cover-up of child abuse by Roman Catholic priests.
Well, sort of …
Spotlight, a Drama directed and co-written by Tom McCarthy, stars Michael Keaton, Mark Ruffalo, Liev Schreiber, and Rachel McAdams as The Boston Globe’s investigative unit known as “Spotlight”. The team is motivated by their new editor Marty Baron (Liev Schreiber) to investigate claims that the Archbishop of Boston knew about a local pedophile priest abusing children and did nothing to stop it. As the team investigates, they unravel a grander cover-up that is massive and world-wide. The series of exposé articles they would publish shocked the world and won the team a 2003 Pulitzer Prize for public service.
The movie of their journalistic efforts is rightfully award winning as well. Spotlight is a tactfully done drama with a great ensemble of actors. The film focusses solely on the discussions of the journalists , preferring to allude to the acts of the priests instead of actually showing it. My only critique of the film is how boring it feels. Two hours of office discussions and investigative montages get a little tiresome, despite how well the actors milk emotion out of every scene. The drama and tension can feel forced at times. It’s as if the actors are doing their best to distract you from how boring the movie is, forcing Oscar style performances out of the most mundane of tasks. I believe Mark Ruffalo should be awarded an Oscar for “Most Dramatic Hailing of a Cab”.
Critique aside, Spotlight delivers an emotional tale of what courageous journalism looks like, and the personal sacrifices it takes to get your news to print.
Tuesday, December 22, 2015
The Good and The Bad of Film Nostalgia
The past month has been a barrage of nostalgic excitement for me. Every few days a new movie trailer came out that teased a rebirth of some of my favorite movies and comic books. I felt like a kid again talking about Star Wars, Star Trek, Superman and Batman, the X-Men, Ghostbusters, Teenage Mutant Ninja Turtles, Warcraft, and Independence Day again with fresh excitement. It’s exciting to feel the imaginative awaken inside in anticipation of going back to familiar fun.
Then I watched this …
UNCANNY VALLEY (2015) from 3DAR on Vimeo.
... and I thought why don’t they make a movie out of this? Come to think of it, why don’t they make something new and original. I’m tired of sequels, prequels and reboots. Where’s the next George Lucas? Where’s the Steven Speilberg of our generation, to give us a new adventures we’ve never imagined before?
The obvious reason is money. Hollywood isn’t willing to take financial risks anymore, with 90% of the big budget films being based on other material. Whether it’s based on a book, comic, or another movie the source material has a proven profitability. A bestselling book guarantees ticket sales. A movie remake generally attracts fans of the original. With comic books they can assume a percentage of it’s readers will pay to see the movie. An independent script may host a genius story, but it’s financially risky. There’s no data to prove it won’t lose money. And that’s sad.
Or is it? There was a time when unless you had access to an independent theater or attended film festivals you rarely got to see independent movies. Great Scott, it’s now 2015! After decades of internet growth, independent films are now easily available to anyone willing to simply do the work of looking for them. Even more exciting is computer animation has gotten so affordable many amatuer film makers are capable to produce quality effects from the comforts of their home. It’s worth it to seek them out.
And is cashing in on our nostalgia such a bad thing? As a fan I’ll scream NO! I mean Star Wars is back, and that’s just awesome. Sequels can provide a new depth to the characters we’ve already come to know and love. We learn more about the world they live in, and experience more of the tone and adventure we enjoy. That said, sequels can also ruin a franchise as often as they invigorate it. Here’s where you probably thought I was going to Matrix bash, but I think Terminator 3 takes the cake on franchise ruiners.
So what’s the point? I don’t know. I’m torn between my love for my favorite franchises and my desire for original cinema. I’m own worst enemy, complaining about the lack of original films while I stand in line to see the sixth Star Wars sequel. And of the independent, home-made short films I have been watching they’re mostly fan films for these very same franchises. It’s great stuff too. So what do you think? What independent media are you enjoying? Whether it’s fan fiction or original, I could use some suggestions to branch out of my major media funk.
Then I watched this …
UNCANNY VALLEY (2015) from 3DAR on Vimeo.
... and I thought why don’t they make a movie out of this? Come to think of it, why don’t they make something new and original. I’m tired of sequels, prequels and reboots. Where’s the next George Lucas? Where’s the Steven Speilberg of our generation, to give us a new adventures we’ve never imagined before?
The obvious reason is money. Hollywood isn’t willing to take financial risks anymore, with 90% of the big budget films being based on other material. Whether it’s based on a book, comic, or another movie the source material has a proven profitability. A bestselling book guarantees ticket sales. A movie remake generally attracts fans of the original. With comic books they can assume a percentage of it’s readers will pay to see the movie. An independent script may host a genius story, but it’s financially risky. There’s no data to prove it won’t lose money. And that’s sad.
Or is it? There was a time when unless you had access to an independent theater or attended film festivals you rarely got to see independent movies. Great Scott, it’s now 2015! After decades of internet growth, independent films are now easily available to anyone willing to simply do the work of looking for them. Even more exciting is computer animation has gotten so affordable many amatuer film makers are capable to produce quality effects from the comforts of their home. It’s worth it to seek them out.
And is cashing in on our nostalgia such a bad thing? As a fan I’ll scream NO! I mean Star Wars is back, and that’s just awesome. Sequels can provide a new depth to the characters we’ve already come to know and love. We learn more about the world they live in, and experience more of the tone and adventure we enjoy. That said, sequels can also ruin a franchise as often as they invigorate it. Here’s where you probably thought I was going to Matrix bash, but I think Terminator 3 takes the cake on franchise ruiners.
So what’s the point? I don’t know. I’m torn between my love for my favorite franchises and my desire for original cinema. I’m own worst enemy, complaining about the lack of original films while I stand in line to see the sixth Star Wars sequel. And of the independent, home-made short films I have been watching they’re mostly fan films for these very same franchises. It’s great stuff too. So what do you think? What independent media are you enjoying? Whether it’s fan fiction or original, I could use some suggestions to branch out of my major media funk.
Sunday, December 20, 2015
The Magic of Cute Droids: A Commentary on Star Wars The Force Awakens
A long time ago, in a decade not too far away …
Return of the Jedi was released both exciting and depressing the world with what was thought to be the last Star Wars movie. Thirty years later, and through three questionable prequels, we’re finally treated to the film extension we’ve dreamed of. Albeit not from the creator we always imagined would helm it. Nope, we got a sequel directed by J.J. Abrams of lens flare fame. Oh yeah, and it's licensed by Disney. Who would have seen that coming in the 80’s? All that aside, the trailers and commercial evidence raised hopes for a fan driven return to the look and feel of the Star Wars universe we knew and loved.
So did Jar Jar Abrams deliver?
Yes …
The real question is, can I fully answer that without spoiling it for you? I hope so, but before we move on know that part of the fun of this film is the adventure of not knowing. I myself had one of the surprises spoiled for me, but there’s more than one surprise in store for you. Still, I recommend living under a rock until you see this film.
Still with me? Good, then here’s an attempt at a spoiler free commentary of Star Wars: The Force Awakens.
Did you like Star Wars: A New Hope? Yeah? Excellent, then you’ll love The Force Awakens. Abrams has learned from his trial and error experience in Star Trek to deliver a Star Wars movie that feels and breaths like the original yet has new personality and life to it. Perhaps giving Star Wars to a new director was the best thing that could have happened for the franchise? After all The Empire Strikes Back, arguably the best of the series, was not directed by Lucas. Abrams does a real fan service in this film masterfully mixing a retelling of A New Hope with an introduction of new heroes and villains.
That retelling is interestingly enough this movie’s greatest strength and weakness. It’s a new A New Hope. Like a symphonic cover, The Force Awakens hits note after note of the original that sparked it all. It has a similar plot. It has reluctant heroes who find their motivation to stand up to evil. It has similar spaceship battles. It has cute droids ...
Stop there! BB-8 is pure genius. It’s amazing how they make a bucket of bolts into such a heartwarming character.
While the cookie cutter repetition of A New Hope is a bit of a turn off, it’s done so well with it’s mix of new characters who are appeasing and relatable. It took maybe ten minutes into the movie before Rey and Finn had me on the edge of my seat rooting for them. The Force Awakens also has a modern tone to it that helped stand out alongside it’s accomplished feel of a canon Star Wars film. I have a funny feeling that Abrams used this retelling strategy to comfort and win us fans over to trusting him as he begins to take us down a new and dark path into the Star Wars universe.
I left this movie extremely satisfied, and yet so hungry for more. Maybe there was some subliminal messaging in the film, because I now crave more Star Wars. I want to read the books. I want to learn more about the new family dynamic. I want to play some video games. Star Wars is back, and I’m excited for what’s to come. This next few years is going to be a great new chapter for Star Wars fandom!
Return of the Jedi was released both exciting and depressing the world with what was thought to be the last Star Wars movie. Thirty years later, and through three questionable prequels, we’re finally treated to the film extension we’ve dreamed of. Albeit not from the creator we always imagined would helm it. Nope, we got a sequel directed by J.J. Abrams of lens flare fame. Oh yeah, and it's licensed by Disney. Who would have seen that coming in the 80’s? All that aside, the trailers and commercial evidence raised hopes for a fan driven return to the look and feel of the Star Wars universe we knew and loved.
So did Jar Jar Abrams deliver?
Yes …
The real question is, can I fully answer that without spoiling it for you? I hope so, but before we move on know that part of the fun of this film is the adventure of not knowing. I myself had one of the surprises spoiled for me, but there’s more than one surprise in store for you. Still, I recommend living under a rock until you see this film.
Still with me? Good, then here’s an attempt at a spoiler free commentary of Star Wars: The Force Awakens.
Did you like Star Wars: A New Hope? Yeah? Excellent, then you’ll love The Force Awakens. Abrams has learned from his trial and error experience in Star Trek to deliver a Star Wars movie that feels and breaths like the original yet has new personality and life to it. Perhaps giving Star Wars to a new director was the best thing that could have happened for the franchise? After all The Empire Strikes Back, arguably the best of the series, was not directed by Lucas. Abrams does a real fan service in this film masterfully mixing a retelling of A New Hope with an introduction of new heroes and villains.
That retelling is interestingly enough this movie’s greatest strength and weakness. It’s a new A New Hope. Like a symphonic cover, The Force Awakens hits note after note of the original that sparked it all. It has a similar plot. It has reluctant heroes who find their motivation to stand up to evil. It has similar spaceship battles. It has cute droids ...
Stop there! BB-8 is pure genius. It’s amazing how they make a bucket of bolts into such a heartwarming character.
While the cookie cutter repetition of A New Hope is a bit of a turn off, it’s done so well with it’s mix of new characters who are appeasing and relatable. It took maybe ten minutes into the movie before Rey and Finn had me on the edge of my seat rooting for them. The Force Awakens also has a modern tone to it that helped stand out alongside it’s accomplished feel of a canon Star Wars film. I have a funny feeling that Abrams used this retelling strategy to comfort and win us fans over to trusting him as he begins to take us down a new and dark path into the Star Wars universe.
Saturday, December 19, 2015
Tribulation (Early Demo)
It's been too long ... a year in fact, but the time has come! I have access to my musical equipment. Let the jams begin!
I couldn't even wait to put this out. This is the first new track I've started working on.
Man it feels good to make music again!
I couldn't even wait to put this out. This is the first new track I've started working on.
Man it feels good to make music again!
Saturday, December 12, 2015
Classic 80's Toys We Might See in TMNT 2
When I was a kid I wasn't a kid, I was a Teenage Mutant Ninja Turtle! I did enjoy the TV show, but the center of my childish focus was the toys. All my favorite childhood TMNT memories were from my pretending and playing in that ninja turtle world of my imagination. Even when I first saw the 1990 movie I thought where are my favorite toys? Where's the Turtle Van? Where's the Mousers? Where's the wacky inventions of Donatello?
Then I grew up (arguably) and entertainment became all about story and character development. I know, boring right? 2014 arrives with a new TMNT movie comes where the turtles are ugly, the story is full of plot holes, and the characters are as dry as the cheesy jokes they spat yet somehow I enjoyed it. I even left that theater smiling a bit. How is this possible?
Childhood Connection.
The style and tone of the film reminded my senses of watching the 80’s TMNT cartoon of when I was a kid. And as ugly as the turtles were, they reminded me of my old toys. They had accessories galore and they threw themselves around like a child imagines his toys fighting when he throws them around. Now it’s 2015 and there’s a new trailer for a second TMNT that looks to feature even more action inspired by the toys and television show of my generation.
Childhood Connection.
The style and tone of the film reminded my senses of watching the 80’s TMNT cartoon of when I was a kid. And as ugly as the turtles were, they reminded me of my old toys. They had accessories galore and they threw themselves around like a child imagines his toys fighting when he throws them around. Now it’s 2015 and there’s a new trailer for a second TMNT that looks to feature even more action inspired by the toys and television show of my generation.
So to explore this idea here’s a listing of some of my favorite 80’s TMNT toys I think we might see come to life in Teenage Mutant Ninja Turtles: Out of the Shadows.
The Gang is All Here
Out of the Shadows will be the first TMNT movie to feature every character of the original launch of toys. This is mostly due to it finally featuring Shredder's misfit sidekick's Bebop and Rocksteady.
"Bringing the Mohawk back, good for you.”
"Bringing the Mohawk back, good for you.”
Cheapskate
This was a skateboard vehicle that had a large propulsion fan on the back, and a spring loaded kick attack on the front. It was a huge toy, but a fun one knocking bad guys over with it’s foot attack. While we won’t see this version of a skateboard in the film, we do see Michelangelo always having a skateboard strapped to his back. Plus I could have sworn I saw his skateboard boosted with rocket power in the first movie, which again reminded me a bit of this old toy.
Baxter Stockman
Baxter was a pretty lame character in the old cartoon show, but as a toy (with the help of our imagination) he was awesome. He looked gruesome and could fly, always a plus for kid’s play. He was one of my favorite villain toys to play with. While the Baxter of TMNT 2 looks to be more influenced by the original comic book version of the character, I’m hoping we’ll see a mutation into the gruesome fly of my childhood.
Mouser
Another hope for having Baxter Stockman finally in the movie franchise is to see the mousers come to life. These toys were awesome as they had mechanical chompers and were big enough to play pretend with in role-playing scenarios. Plus they’re a classic foe for Master Splinter. There’s no evidence that we’ll see these in the new movie but a geek can hope.
Party Wagon / Pizza Thrower
One of the scenes from the new trailer that reminded me most of my old toys was the scene with the turtle’s retro-fitted dump truck that shoots sewer lids at the bad guys.
My memory failed me a bit, but I smiled and thought this is just like the old turtle van that shot man-hole covers! It’s more of a combination of two old toys, the Party Wagon and the Pizza Thrower.
Still it’s a fun idea, and I hope for the new generation that they’re releasing toys of this new vehicle that can shoot disks like that.
Krang
Sunday, November 29, 2015
Splendor: A Splendid Game for the Entire Family
In a time where the classic board games of our past have turned digital, taking away from the fun and education of simple math, you might be searching for an new alternative to games like "Monopoly" or "Life" for your family. If you're a fan of Renaissance era artwork and nobility, then search no further. There is "Splendor".
Published by Space Cowboys and designed by Marc Andre, "Splendor" is a resource management game where the players are gem merchants competing to buy gems, mines, and shops for prestige. The first player to reach 15 prestige points by the end of a round wins the game. During their turns players can collect gems, buy cards (which represent various mines, transportation, and shops), or claim a hold on cards to prevent other players from claiming them. Players must choose wisely what gems they do collect, as the game's supply is limited to 40 chips which sets the competitive tone between the players for achieving their win. As the players gain properties eventually they can earn visits from notable nobles of the game, who also add prestige points to the players. The gameplay quickly gains speed and momentum as the gem chips start to dwindle on the board as well as the property cards. This brings a real sense of excitement to the game as the predictable winner can suddenly find himself losing as strategies play themselves out in the final rounds of the game.
The artwork, by artist Pascal Quidault, is superb and gives the game a painted elegancy that a Renaissance styled board game demands. For a price varying from $20 to $30 depending on the retailer, the game's pieces of 40 gem chips, 90 cards, and 10 noble tiles are of a sturdy quality. "Splendor" brings an edge of speedy gameplay and competitive spite to a game genre that can sometimes be simplistic and boring. But much like the Renaissance period it represents, "Splendor" excites the senses with both it's bright nobility and it's dark greed.
Published by Space Cowboys and designed by Marc Andre, "Splendor" is a resource management game where the players are gem merchants competing to buy gems, mines, and shops for prestige. The first player to reach 15 prestige points by the end of a round wins the game. During their turns players can collect gems, buy cards (which represent various mines, transportation, and shops), or claim a hold on cards to prevent other players from claiming them. Players must choose wisely what gems they do collect, as the game's supply is limited to 40 chips which sets the competitive tone between the players for achieving their win. As the players gain properties eventually they can earn visits from notable nobles of the game, who also add prestige points to the players. The gameplay quickly gains speed and momentum as the gem chips start to dwindle on the board as well as the property cards. This brings a real sense of excitement to the game as the predictable winner can suddenly find himself losing as strategies play themselves out in the final rounds of the game.
The artwork, by artist Pascal Quidault, is superb and gives the game a painted elegancy that a Renaissance styled board game demands. For a price varying from $20 to $30 depending on the retailer, the game's pieces of 40 gem chips, 90 cards, and 10 noble tiles are of a sturdy quality. "Splendor" brings an edge of speedy gameplay and competitive spite to a game genre that can sometimes be simplistic and boring. But much like the Renaissance period it represents, "Splendor" excites the senses with both it's bright nobility and it's dark greed.
Sunday, November 22, 2015
You Get What You Pay For: A Review of the Nextbook Ares 11
Back in my early twenties, when I was inexperienced … oh who am I kidding! Back when I was young and dumb I used to buy everything in the cheap, store brand versions. That included shoes, which I used to buy from Walmart for $10. I didn’t care how bad they were, ten dollars was a great deal I couldn’t pass up for work shoes. I was just going to tear them up anyway, right? That’s right and tear them up I did. Every month those cheap shoes had to be replaced with another cheap pair. Well it’s only ten dollars, surely I can spare that every month but after eight months of replacing these cheap shoes I realized how I had spent what I could have spent on one pair of good shoes to last the whole year. And if you include the gas I spent to go to Walmart seven additional times, really the cheap shoes ended up costing me more in the long run. It was a lesson I learned the hard way but the fact is you get what you pay for, and it’s wise to invest in quality.
“Wait, I clicked this link for a review of the Nextbook Ares 11! What the heck does this guy’s stupid shoe story have to do with anything …”
The Nextbook Ares 11 is the Walmart store brand of tablets, and like those shoes you get what you paid for. From the box it looks comparative and promising for a $197.00 price tag. It has a sleek look to it’s design, with the blue edging and blue backlight to the keyboard. It has 64GB of storage which can be extended to 128GB with the use of a Micro SD card expansion. The tablet has a crisp looking 11.6” display running at a 1366x768 pixel resolution. There’s a modest but capable Intel BayTrail-T CR Quad-Core 1.83 GHz CPU and a GEN7 GPU processor inside. One of the greatest selling points for me at it’s price is the inclusion of a backlit keyboard attachment. And the tablet has lots of ports including 2 USB ports in the keyboard, a Micro HDMI port, a Micro USB port, and also the Micro SD slot I already mentioned. It runs on Android’s Lollipop 5.0 operation system. Oh did I mention it’s under $200!! What a deal!
Then we get home with it and start to use it, and the shoe begins to wear thin quickly.
The first issue with the device is memory. It can handle singular tasks fairly well with a bit of longer load time than your average tablet, but once you try to run multiple Apps at once the background apps begin to shut down. For example when facebook’s Messenger App pops up with a message the App can shut down as you're in the middle of typing your reply. You have to stop what you’re doing and load the App as the main application of focus to have a chat session. This is especially annoying if you’re someone like me who likes to listen to music while you browse the Internet or type documents in your word processor. I’ve fiddled with the settings as much as the OS allows. I’ve minimized my Apps to just two, the music and my simple word processor, and still after about a minutes time of typing the music quits. So kiss multitasking goodbye!
The rest of the issues seem minor again considering the tablet is so modestly priced. Yeah it’s bulky and gets hot. Sure the keyboard is a little awkward to use and the mouse pad actually gets in the way if you’re typing too fast. I consistently hit the mousepad with my spacebar thumb, popping my typing text to a random spot on the top of the screen. The speakers are a joke, as is the camera but what’s my battle cry here … you get what you paid for. The load times can linger on, and the gaming performance is a bit laggy on the graphically intense games.
Did I mention the bang for your buck? For singular tasks it gets the job done and the display is very nice all things considered. Video play is bright and crisp, as long as your video App is the singular application running. The keyboard setup is very handy for a writer like me, with an easy detachment to switch the tablet to a convenient, but heavy, reading device. For a Walmart brand device it could be worse, but one could easily argue it could be better. Is it a worthy investment, hell no! But for someone who’s struggling financially it offers some nice features that the $200 market usually doesn’t get. Choose wisely because, one more time, you get what you paid for.
Saturday, November 21, 2015
Knowledge Is Power: a Review of Andy Weir's "The Martian"
Space, the boring frontier ...
No, I'm kidding. Space is immensely interesting. And dangerous, which is what makes it such an exciting environment for a thriller. Well at least for a space geek like me, but what about the mainstream? Where is America's interest in space exploration now and what would it take to invigorate it? Well Andy Weir gives us one nightmarish example of a fictional situation that could turn the attention of everyone to NASA and to space.
In his novel "The Martian" astronaut Mark Watney is stranded alone on the planet Mars after a manned exploration mission is abandoned due to a dangerous dust storm. During their evacuation strong winds blow a satellite dish into Watney’s side, damaging his space suit and convincing his team that he had met his demise on the martian surface. But he survives and reaches the safety of the NASA Habitat to begin his adventure of survival, beginning with a log entry of "I'm pretty much fucked ..."
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| Watney's Path on Mars |
And that's the avenue the novel uses, reading as a collection of Mark Watney's recovered log entries. It gives the book a cool "found footage" feel I've never experienced in a novel before. Spoiler alert, eventually the narrative turns to a more traditional third person writing to tell the tale of the events back on Earth as NASA discovers Watney's still alive. It gives the reader a nice change of pace to the reading. Just when you're starting to find the log reading a little dull, the book brings you into the drama back at earth. There's also some nice back story breaks on the building and science behind NASA's equipment, just in time to understand how and why it breaks.
The meat of the novel though comes in the entertaining character of Mark Watney. Watney's delivery is edgy and hilarious in a nerdy kind of way. Maybe it helps being a nerd myself to catch all the references to Dungeon and Dragons, 70's sitcoms, and comic book character Iron Man. It's Watney's geeky enthusiasm for engineering and science that gives the novel a tone of adventure and fun that lessons the dullness of scientific detail. It reminded me of reading a Michael Crichton novel. Superb, real feeling dialogue with nuggets of science sprinkled in between. And if the novel teaches the reader anything it's that knowledge is power. And while I'm no astronaut, the novel comes off as well researched and accurate. My favorite science lesson moment in the book is when Watney decides to make his own water out of his oxygen tanks and the Hydrogen from the MAV's rocket fuel. It's basic chemistry, but still being accustomed to a society where everything is pre-made and canned it was a kick of inspiration to think, "wait you can MAKE WATER!".
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| Author Andy Weir |
The enthusiasm, humor, and engineer's attitude of Mark Watney I'm suspicious is a bullhorn for the genuine personality of author Andy Weir. Weir’s do-it-yourself attitude can be seen just in the publication of the novel. Weir independently published The Martian in 2011 as a free download off his personal website. As it gained Internet popularity, readers requested a Kindle version to be released. Weir complied, giving the book the most modest pricing Kindle would allow, 99 cents. It became a bestseller, gaining the attention of publishers and the movie industry. The first set of rights were sold for an audiobook version by Podium Publishing in 2013, followed by the hardback printing by Crown Publishing in 2014 and then the current feature film released by 20th Century Fox in 2015. Not bad for a first novel!
As of this writing the movie version has earned 207 million dollars, while the paperback novel is second on the New York Times Bestseller list. So I take back my earlier assumption, it look’s like america does still have interest in space. Well, at least in fiction we do and why wouldn’t we with the quality of science fiction making a comeback with books like "The Martian". Speaking of which … STAR WARS!!!! Woo hoo!! Who’s excited? This guy.
Sunday, June 9, 2013
White Folk Be Acting Crazy : A Review of The Purge
Let's face it, Denver's homeless issue has gotten out of control. They fill our streets. They plague our mall. Asking for handouts, while fine hard working folks like ourselves have to earn our credits. It's disgusting. This problem has left the realm of annoyance, and has become a spiritual burden. There's nothing left to do but to cleanse these poor souls from our streets.
We thank them for their sacrifice. God bless the new founding fathers on this Purge day.
Sounds kinda like ... I don't know, racist elitism. That's exactly the vibe of James DeMonaco's The Purge. Once a year, America's police look the other way for 12 hours so the populace can let their dark side lose by committing any crime they want. While the "holiday" is sold as a way to let our animalistic personalities be expressed, the movie viewers are slowly exposed to the truth of the holiday. It's an excuse to wipe out the poor and lower class. Hence the recovering economy and lack of crime.
While it's not the most original idea (Star Trek did it in "The Return of the Archons" episode, circa 1967), DeMonaco has given the idea a nice touch of modernity by relating it to the 1% versus the 99%. The have's get to remove the have not's.
The film does this through a nice reminder of the racism that used to (and arguably still does) exist in America. The poor are represented by the only African American of the film, performed by Edwin Hodge. While we initially spend the film questioning Hodge's honesty, by the end the characters find themselves questioning their own morality with what to do with this homeless man on the run. Do they sacrifice him to the elitist Purgers, or do they risk their family in helping to save a life?
My rantings above may make it appear as if this movie is a psychological thriller. Let me assure you, IT IS NOT. The Purge pretends it has layers of political commentary, but at it's core it's just a fun, suspenseful thriller. We spend half the film looking for the black guy in the dark, and the other half is just action-packed with elitists fighting each other. The last bit being one of the best nose breaking scenes in my cinema recollection.
Oh, I did I mention the bad guy's are hilarious. Rhys Wakefield really sells his character's demented appeal. I almost started rooting for him and his masked crew. They just want to have a fun night, like any good All-American group of college kids.
If you're in the mood for a fun thriller with a hint of political commentary, then you should Purge yourself.
We thank them for their sacrifice. God bless the new founding fathers on this Purge day.
Sounds kinda like ... I don't know, racist elitism. That's exactly the vibe of James DeMonaco's The Purge. Once a year, America's police look the other way for 12 hours so the populace can let their dark side lose by committing any crime they want. While the "holiday" is sold as a way to let our animalistic personalities be expressed, the movie viewers are slowly exposed to the truth of the holiday. It's an excuse to wipe out the poor and lower class. Hence the recovering economy and lack of crime.
While it's not the most original idea (Star Trek did it in "The Return of the Archons" episode, circa 1967), DeMonaco has given the idea a nice touch of modernity by relating it to the 1% versus the 99%. The have's get to remove the have not's.
The film does this through a nice reminder of the racism that used to (and arguably still does) exist in America. The poor are represented by the only African American of the film, performed by Edwin Hodge. While we initially spend the film questioning Hodge's honesty, by the end the characters find themselves questioning their own morality with what to do with this homeless man on the run. Do they sacrifice him to the elitist Purgers, or do they risk their family in helping to save a life?My rantings above may make it appear as if this movie is a psychological thriller. Let me assure you, IT IS NOT. The Purge pretends it has layers of political commentary, but at it's core it's just a fun, suspenseful thriller. We spend half the film looking for the black guy in the dark, and the other half is just action-packed with elitists fighting each other. The last bit being one of the best nose breaking scenes in my cinema recollection.
Oh, I did I mention the bad guy's are hilarious. Rhys Wakefield really sells his character's demented appeal. I almost started rooting for him and his masked crew. They just want to have a fun night, like any good All-American group of college kids.
If you're in the mood for a fun thriller with a hint of political commentary, then you should Purge yourself.
Saturday, June 8, 2013
Why I chose a game of D&D over William Shatner at Denver Comic Con
For the 48,000 attendees of Denver's second annual Comic Con convention, our outlet was comic books, science fiction and fantasy series, and board games. For 3 days we celebrated the awesomeness that is being a geek.
I attended a couple of panels where the topic was essentially the growing worldwide acceptance of our obsessions with these alternate medias. It was refreshing to feel that connection with people. I'm not alone, and we are not alone.
The highlight of these panels I attended was Wil Wheaton's. Wil Wheaton is widely known for his role in Star Trek: The Next Generation as Wesley Crusher. What's not as well known is Wheaton's lifestyle as a geek, especially in tabletop board gaming. He's a player of such games as Dungeons & Dragons, and Fiasco. Today, Wheaton hosts a YouTube show called "Tabletop" where he and guests play and review board games.
During the panel, Wheaton told a personal story of why tabletop gaming was important to him. It involved a dark emotional time for his family, when the only peace they ever had together as a family was during board game night. During that time, when they were throwing dice and moving board pieces around, all the troubles of the outside world were put aside for just a few hours. All the drama was left at the door, and despite all the problems they were a family again for the duration of the game.This was significant for me. It reminded me of how much I loved these games and how much I missed playing them. To me, there's nothing better than the creation and escapism of a good tabletop game with friends. Especially tabletop roleplaying games like D&D, Heavy Gear, and Vampire: The Masquerade. I left this panel determined to go to the gaming arena of the convention that night, and join in on a game.
That night I played Dungeons & Dragons with group of people I've never met before. I was nervous at first, but as the game went on that universal feeling of acceptance swept through the room and we had a blast. There were many laughs, some interesting roleplaying, and in the end we had a challenging battle against a Warforged. I left the convention that night with a huge smile on my face, and a determination to experience that again on Sunday. So that night, I went ahead and signed up to play another game the next afternoon.
Now you may be wondering, what does all this geek squabble have to do with William Shatner?
William Shatner was the guest of honor of the convention. Which meant that his panel, scheduled Sunday afternoon at the same time as my D&D game, was one of the few limited engagements of the convention. Only VIP badges were guaranteed admentince. For the rest of us, we had to be part of the first 500 or so to enter the convention floor that Sunday morning to receive a special wristband to gain entry.To my surprise Sunday morning, I was one of those lucky few who received a wristband to Shatner's panel. Which meant I had to make a choice. Do I go to Shatner's panel, or do I go to the D&D game I had already signed up for?
It may not sound like a very tough decision, but for me it was like choosing between parents. Do I spend time with Dad, or with Mom? In the end, my conscience made the decision for me. I had already committed to play this game. The other emotion tied to this decision is one I struggle to explain. Simply put, I knew I would have more fun sitting around a table of strangers pretending to be warriors and priests searching to solve the mystery of disappearing villagers. I love shared storytelling. To me there's nothing as creative and exciting as that. This was a once in a lifetime experience, where as the Shatner Panel I can probably watch on YouTube later someday.
So as the line for William Shatner's panel started to form, I went out looking for someone to give my wristband away to. I found off to the side of the main line a smaller line of maybe twenty people. I asked the man at the lead of that smaller line what they were lining up for.
"Oh, we're just lining up hoping to fill any empty seats after they let all the wristbands in."
I pulled out my wristband, "Well, I have a wristband and it turns out I can't go. Would you like to have it?"
I'll never forget the look of glee in that man's face. At first it was a questioning look to see if I was serious, but once I handed him the wristband he thanked me excessively and practically skipped his way over to the other line. My heart swelled as I realized I had just made this man's day, if not his Con.
No offense to the awesomeness that is William Shatner, but I'm glad I sacrificed that wristband to give that fan a day he'll probably talk about for months. Plus, I'll always remember the fun I had playing Dungeons & Dragons that afternoon.
So thanks for reading, and as gift to you here's a video of Shatner at Denver Comic Con reading "Where The Wild Things Are" to the kids in the Comic Book Classroom.
Sunday, June 2, 2013
#DCC2013 Day 3
When the convention ended at six o'clock today, I felt immediate remorse. My last walk out the main hallway was slowed by the weight of it's significance. This was the end of a most, excellent journey. While the convention did have it's problems (cough, morning entrance lines, cough, cough), the sheer awesomeness of the attendees and guests overshadowed those issues.
Again, it's the end of a long day and I must be brief in my telling of it. From an outsiders perspective, my last day is kinda boring due to 60% of it being a game of Dungeons & Dragons. There's more story to this, but put simply I gave away my William Shatner ticket so I could play in a game I already committed to. That may sound lame, but I made someone's day when I surprised them with a ticket. The look of gratitude on his face made it worthwhile.
So BatFans, WILL he take the time to write a summary blog of Comic Con?
CAN he tell you the important details without creating a blog too long to read?
Does he have the charisma, the passion, and THE EGO to presume there's even enough viewership to support such a feat?
We'll find out soon friends ... same Bat Network, same Bat Domain!

Again, it's the end of a long day and I must be brief in my telling of it. From an outsiders perspective, my last day is kinda boring due to 60% of it being a game of Dungeons & Dragons. There's more story to this, but put simply I gave away my William Shatner ticket so I could play in a game I already committed to. That may sound lame, but I made someone's day when I surprised them with a ticket. The look of gratitude on his face made it worthwhile.
So BatFans, WILL he take the time to write a summary blog of Comic Con?
CAN he tell you the important details without creating a blog too long to read?
Does he have the charisma, the passion, and THE EGO to presume there's even enough viewership to support such a feat?
We'll find out soon friends ... same Bat Network, same Bat Domain!

Saturday, June 1, 2013
#DCC2013 Day 2
I've somehow conveniently found internet in the Denver Comic Con as I wait here in line for Will Wheaton's panel. The random "line" picture seen here is what the line looks like ahead of me. I'm actually in a good spot all things considered. Plus, I now have internet to entertain me as I wait so I thought I'd share a few photos.
Yesterday must have just been a Cos Play warm up, because today there's some seriously impressive costumes.
Oh, and I met George Takei ...
More to come!
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